While there can be nothing more glorious than a fantastic tube amp that’s cranked up to the point of rich, tube saturation, and breakup, there also is the downside of getting the police called on you in the middle of the night because you have to crank your amp up so loud to get there.
Gain pedals can be the answer to that very problem! Actually, ‘gain’ may be too much of a general term, as there is a distinct difference between ‘distortion,’ ‘overdrive,’ and ‘fuzz.’ Distortion can take you from ‘aggressive’ to ‘melt your face off metal type’ tones. Overdrive tends to land smack in the middle of classic rock territory, and fuzz can take you back to the ’60s in a heartbeat.
Regardless of which type you are looking for, we’ve taken a look at some of the best gain pedals around – both classic models with legendary followings along with more modern models that are earning their reputations.
The Fulltone OCD Overdrive
Out of the countless overdrive pedals that are on the market today, there are a few who have certainly made a name for themselves. The Fulltone OCD Overdrive is one of those models, and for a good reason – it is a ‘boutique’ pedal that performs precisely (if not better) than advertised, and it also isn’t so boutique that it will wear a hole in your wallet…
The Fulltone OCD (Obsessive Compulsive Drive) is a simple pedal that gives you that warm, classic overdrive tone with a minimum of fussing around about it. It is a single-sized pedal housed in a rugged all-metal enclosure, making it an excellent choice for gigging musicians, who may be a little harder on their effects.
The OCD features a unique bypass selector (Enhanced Bypass or True Bypass) to give a robust signal with a minimum of ‘coloring’ your tone when it’s off while also minimizing any signal degradation to provide you with the best tone possible.
Unlike some other boutique pedals, the OCD doesn’t have any fancy graphics on the case; at first glance, it appears to be pretty boring. Don’t let the simple looks deceive you, though – the truth will be evident the minute you plug it in and start tweaking it to your taste.
The OCD controls are deceptively simple and advanced enough to keep it a step above other pedals in the same class. What does that mean? It means less time getting the tones you want and more time playing and enjoying it!
The three essential knobs (Volume, Drive, and Tone) are relatively self-explanatory, but what sets the OCD apart is the ‘HP/LP’ mini-toggle switch. Standing for High Peak or Low Peak, this switch offers you two distinct modes ranging from more of a clean boost to a rich and warm overdrive that also ‘feels’ just as good as it sounds.
If you’re looking for a pedal that will take you into molten metal territory, then the OCD isn’t the pedal for you. It was intended to provide more of a classic ‘overdrive’ tone, and it’s effortless to get that thick and sustain-filled sound without crossing the line into full-out distortion territory. The unique circuit design performs precisely as intended, with a touch sensitivity level that has to be experienced to be believed. From edge-of-breakup all the way to more aggressive classic rock sounds, the OCD may be precisely the pedal you are looking for.
A well-respected overdrive that delivers boutique tone and performance without the typical hefty boutique price
The Fulltone OCD Overdrive is one of those rare gear pieces that truly brings it all to the table: simple controls, exceptional performance, and advanced analog circuitry – all at a price point that puts in firm competition with some of the more mainstream models on the market.
Check amazon for price and availability.
The Boss DS-1 Distortion Pedal
A legendary distortion pedal with tones and performance which are worthy of the Boss nameplate
Out of the countless guitar gear manufacturers that have ever existed, there is one name that quickly comes to mind when the conversation turns to effects pedals – Boss. They have designed some of the most iconic effects ever released in pedal form over the years (going back to the 1970s), and the DS-1 Distortion pedal ranks as one of their most popular.
If there’s one thing about Boss pedals, you typically know one when you see one. For the most part, they share a package design that is just about as recognizable as the Boss name itself. The DS-1 is a prime example of that, featuring a fully analog circuit design housed in a durable metal enclosure, which has been time tested for durability and reliability.
Its single-sized package won’t take up too much valuable space on your pedalboard, and it can be powered by either a 9V battery or a 9VDC power supply (which may be a better and more reliable option – the last thing you want is a battery to go out on you at a gig or recording session).
Three knobs – that’s it. Level (volume), Tone (overall EQ shaping), and Distortion (gain level). Sure, there are pedals out there with much more elaborate control configurations, but sometimes you do not need things to be all that complicated. Just about the only other thing the DS-1 offers is a battery check indicator – other than that, it’s about as simple as you can get.
The DS-1 offers the legendary performance that has made Boss one of the most popular brands around. Sure, you can set the knobs at a lower level and get some resemblance of an overdriven tone, but by far, that is not what the DS-1 was intended to do. Distortion pedals are, by design, meant to be much more aggressive than overdrives, and this model certainly does not disappoint in that regard.
From edgy punk sounds to higher gain rock and early metal sounds, the DS-1 has it all under the hood. Some distortion pedals can tend to sound a bit harsh, but here you’ll find a rich spectrum of harmonics and overtones that have made this classic Boss pedal a perennial fan favorite for going on almost 50 years.
The Boss DS-1 Distortion Pedal combines exceptional performance and reliability, all at a price that even the most budget-conscious guitarist will find extremely reasonable. It is an excellent example of all that the right distortion pedal can – and should – offer, regardless of the style of music that it’s being used for.
Check amazon for price and availability.
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